All Hallow's Eve (1952)

Happy Halloween! I have a treat for you today, no tricks!

Franchot starred in an episode of Suspense that aired on October 28, 1952. Filmed live for television, Suspense was a popular mystery-thriller anthology that ran from 1949 to 1954. Each thirty-minute episode dealt with threatening characters and/or situations.

In the episode All Hallow's Eve, Franchot plays Markheim, a seeming sickly middle-aged man in need of money to marry. This episode is set in London in the 1880s and street urchins follow Markheim around hoping for treats. Markheim enters a Victorian pawnshop where he often trades objects for money. When the proprietor insinuates that Markheim is selling him stolen goods, Markheim makes a life-changing decision. What Markheim doesn't know is that there's a devilish creature that's been watching him since birth and this creature has witnessed the entire event.

Fortunately, All Hallow's Eve is available in full-length format on Youtube! If you can't see the embedded video below, click here.



I rewatched All Hallow's Eve first thing this morning to kick off my Halloween and it really is a creepy little tale. I'm sure it was a fun role for Franchot to play, because he's able to be this over-the-top character with big eyes, a looming stature, and gaping fear. Enjoy your day!

Shadow over Elveron (1968)

Despite his battle with lung cancer, Franchot continued to work in 1968. His final performances are in the made-for-television movie Shadow over Elveron and the feature film Nobody Runs Forever. Although he looks older than his years and physically weak (in SOE, he uses a cane and in NRF, he is in a hospital bed), Franchot's performances are still stirring. I wrote about Nobody Runs Forever before. You can read that post here.

In remembrance of the anniversary of his death on September 18, 1968, I wanted to watch a performance of Franchot's that I'd never seen. Happily, I can say that I've managed to view all but 1 of Franchot's films (his first, The Wiser Sex.) Sadly, it is harder to find his television work, so I'm running out of new Franchot viewing experiences. Shadow over Elveron is an engaging movie with great performances all around, but knowing that it was Franchot's last television performance made it an emotional watch for me.

 Dr. Matthew Tregaskis (James Franciscus) moves to the small town of Elveron to be close to his new wife's father and family home. His father-in-law Justin Pettit (a seemingly ageless and handsome Don Ameche) has bought the son-in-law he's never met a medical practice and furnished home. Dr. Tregaskis and his wife Joanne (Shirley Knight) meet young teen Tino (Vic Dana) who helps them unpack equipment in the doctor's office. When Tino is arrested for the murder of a retired doctor, Dr. Tregaskis knows a mistake has been made and feels compelled to defend the boy. When he realizes that Tino is being abused in his cell, Dr. Tregaskis enlists the help of lawyer Barney Conners (Franchot Tone) in his pursuit of justice. By the time they've reached the courthouse, Tino has been hanged (either by his own hand to stop the abuse or murdered by abuser.) The menacing Sheriff Drover (Leslie Nielsen) and Dr. Tregaskis seem startled by the hanging, but it is Franchot's Barney Conners who is the most unsettled by it. Conners screams in panic, "Cut him down! Cut him down!"

James Franciscus and Franchot Tone

Leslie Nielsen

Once they are away from the sheriff, Conners and Tregaskis discuss how they will uncover the town's corruption. Franchot gives a very moving speech. He is frustrated with the injustice in the town and furious that an innocent boy is dead. This is a random and rambling observation, but I've noticed that Franchot holds his mouth differently in his performances of the mid-late 1960s. I think this is due to false teeth. If you watch Tone in the 1962 Ben Casey episode, "A Memory of Candy Stripes," you'll notice that his natural teeth look damaged. In years following that performance, Franchot's teeth are all white, smooth, and straight. Anyway, my point is that in this close-up speech (and others like it from this time), you may notice that his mouth seems to move a little differently than it once did.

Barney uncovers a bombshell about Sheriff Drover and plans to meet the new doctor to hatch a plan. But Sheriff Drover gets to Barney first and reveals a secret that strips Barney of all his self-confidence and brings him down to his knees.

The screen captures below occur when Barney is excitedly building his case and I see so much of young 1930's Franchot in these expressions.

 

 

In addition to Don Ameche, Shadow over Elveron includes performances from more of Franchot's contemporaries. Veteran actors Stuart Erwin and James Dunn are both townsmen who are intimidated by Sheriff Drover. It's interesting to watch Leslie Nielsen in the part of the villain, but his performance is so good that it's almost too real to watch. He's completely believable as the powerful, corrupt sheriff and it's hard to see him cut down the sweet, hardworking townspeople.

 
Although his screen time is brief,  it is good to see Franchot in two entertaining, quality films in 1968. I have so much respect for the fact that he continued to do what he loved right up until the end of his life. I was delighted to find the full-length Shadow over Elveron on Youtube. If you'd like to see Franchot's scene in Nobody Runs Forever, I uploaded that clip some time ago and it can be viewed here.

Tribute Video!

I finally finished my Franchot Tone: A Life in Film tribute video and I'm so happy with the way it turned out! It captures Franchot in many moods through over 30 years of film and television footage.

It is now on Youtube at this link: https://youtu.be/cnSbTLJ5i5w or you can just watch it here.

Lost Honeymoon (1947)

Lost Honeymoon is a 1947 romantic comedy starring Franchot Tone, Ann Richards, and Tom Conway that has fallen into the public domain. Following World War II, Johnny Grey (Franchot Tone) is confronted by his abandoned English wife Tillie Grey and their two little children. But Johnny doesn't remember ever being married thanks to a case of amnesia and Tillie is not exactly who she says she is. It's a light, cute movie that I recommend to those of you who enjoy Franchot's other light comedies (for example, His Butler's Sister and Nice Girl?).

Source: www.letterboxd.com

Source: www.wikipedia.org

Lobby card. Source: www.ebay.com

 

The film is available online, but my attempt at screen capturing was not successful due to the film quality. Instead, I'll just embed the film here, so you can watch it for yourself. If the film below doesn't work properly, just use this direct Youtube link: https://youtu.be/mVr-CfMuBSw


The interaction that occurs between a wandering Franchot and the police officer at around the 1 hour mark really cracks me up! I always rewind that scene to watch the "kidding pants" part.

This film is also available on DVD, but I'm not sure of the quality on that one.

La Bonne Soupe (1964)

The good news is I recently stumbled across La Bonne Soupe on Youtube. The bad news is I can't understand a word of it. La Bonne Soupe is a 1964 French film that features Franchot in a character part. This foreign film is definitely a departure from the majority of his filmography, but I welcome any performance of Franchot's (even when I'm clueless as to the dialogue!). I'd love to get my hands on a version with English subtitles.

The film seems quite funny and Franchot pops up unexpectedly in several scenes.

In the cinema column, "Capsule Comments", in the Toledo Blade newspaper dated November 1, 1964, La Bonne Soupe is described as "a merry, bawdy French comedy about a girl of easy virtue and her search for Easy Street". Here is Bosley Crowther's review of the film in the New York Times.

Below is the Youtube video. If it doesn't play correctly from my blog, try this direct Youtube link. Franchot enters the picture at about the 5:15 mark and reappears throughout.

Gentlemen are Born (1934) trailer

Uncle Vanya (1957) trailer

Star-Spangled Rhythm (1943) Trailer

Star-Spangled Rhythm is one of those WWII-era movies that serves more as a collection of individual performances by popular entertainers of the time. Franchot Tone is in a card-playing scene.