Between Two Women (1937)

Directed by George B. Seitz and starring Franchot Tone, Maureen O'Sullivan and Virginia Bruce, the medical drama Between Two Women premiered to American audiences on July 9, 1937.

Between Two Women is one of my favorite Franchot movies and I keep hoping it is going to be released on DVD by Warner Archive. It deserves a quality DVD release. It is a great romantic drama, well acted by all of its cast, and Franchot particularly shines in this role.

The film received positive reviews from the fan magazines at the time. Hollywood Magazine said that it was "smoothly directed...a convincing story of the loves, desires and heartaches of those who minister to humanity...[Tone, Bruce, O'Sullivan] have never appeared to better advantage than in this powerful drama." Photoplay called it, "unusually exciting and realistic...Franchot Tone brings all his ability to the role...Splendid." Silver Screen devoted an entire article to the film and its story.
While I will not spoil the final events of the film, the film summary that follows will include some plot spoilers.

Silver Screen Magazine. August 1937.

Allan Meighan (Franchot Tone) is a studious, conscientious intern in a large hospital. He's referred to by one patient as the "strong, silent man who saved my life." Claire Donahue (Maureen O'Sullivan) is a nursing intern who is promoted to head surgical nurse. Allan and Claire are good friends and enjoy working together.

Allan has a few more weeks until he will begin residency. He's applied to his current hospital but hasn't received word yet. After intern Tony Woolcott refuses to go to an accident scene, Allan goes instead. When he has to amputate an arm to save the life of a man trapped in rubble, Allan is named resident at the hospital.

Claire's husband Tom is an alcoholic who can't keep his job and hits his wife. He often stops by the hospital to ask for money from Claire. Claire makes excuses, "He only drinks because he's discouraged because he feels licked."

Socialite Patricia "Pat" Sloan (Virginia Bruce) crashes her car due to passing out from a ruptured appendix. Allan performs surgery and requests Claire "the best nurse he knows" for night duty. Patricia makes eyes at Allan as soon as she wakes from the anesthesia and notices how uncomfortable Claire becomes by it.

Tony Woolcott (Leonard Penn), a wealthy intern who recklessly drinks on the job and has no care for humanity, has eyes for Pat, but Pat desires to be the bride of Dr. Meighan. Allan warns her that he doesn't make enough money to get married. She makes an agreement that he buy necessities and she'll add a few luxuries with her own money.

Allan falls in love with Pat but fears that he won't make her happy.When Claire walks into the hospital room, Pat announces that they are engaged. Claire is shocked. She cries alone as she walks the hospital hallways.

There are already cracks showing in the marriage immediately after the honeymoon when Pat is less than thrilled about living in a modest home. They clearly are attracted to each other but Allan's first duty is to the hospital and Pat does not want his attention divided. Allan is called away from each social engagement they attend because he's needed in surgery. With each call, Pat grows more resentful.

When Allan starts to ignore his duty to the hospital to please Pat, he begins missing out on big professional opportunities and growth for himself as a surgeon. Allan questions Claire about why she stays with a drunk and Claire responds, "You see, I've adjusted my life to Tom. You still haven't adjusted yours to Patricia."

I'm going to stop here with the summary because the last half of the film has several huge moments that change the direction of Allan's plans and stir different feelings in his heart. It's a moving, unassuming film that hooks me every time I watch it. It comes on television every so often, but I'm hoping Warner Archive realizes what a gem this movie is and releases it soon.

Sources:
Silver Screen Magazine. August 1937.
Photoplay. September 1937.
Hollywood. September 1937.
Modern Screen. March 1938.

Franchot's Leading Ladies

Throughout his career, Franchot starred with some of the most talented and beautiful actresses in Hollywood (and even married a few!). Today, I thought it would be fun to highlight and share some stats on the ladies who shared the screen with Franchot.

Joan costarred with Franchot in 7 films

Joan Crawford (b. 1905 d. 1977)
Between 1933 and 1937, Joan Crawford and Franchot made 7 films together. Franchot and Joan were married from 1935 to 1939. Although their divorce was somewhat bitter, the two rekindled a close friendship that would last until Franchot's death in 1968.
Notable Films: Our Dancing Daughters,  Dancing Lady, Grand Hotel, The Women, Humoresque, Mildred Pierce, Whatever Happened to Baby Jane?
Films with Franchot: Today We Live, Dancing Lady, Sadie McKee, No More Ladies, The Gorgeous Hussy, Love on the Run, The Bride Wore Red
My personal favorite FT-JC film: The Bride Wore Red

Jean costarred with Franchot in 4 films

Jean Harlow (b. 1911 d. 1937)
Jean Harlow and Franchot Tone costarred together in 4 films between 1933 and 1936. The platinum blonde and amazing comedienne tragically died of uremic poisoning in 1937.
Notable Films: Hell's Angels, Platinum Blonde, Bombshell, Red Dust, Dinner at Eight, The Public Enemy, Libeled Lady
Films with Franchot: Bombshell, The Girl from Missouri, Reckless, Suzy
My personal favorite FT-JH film: The Girl from Missouri

Deanna and Franchot costarred in 3 films.

Deanna Durbin (b. 1921 d. 2013)
Noted for her skills as a lyric soprano who could deliver both hit ballads and complicated arias, Deanna Durbin was paired with Franchot in three romantic comedies in the 1940s. Deanna retired from the screen while still in her late 20s in 1949.
Notable Films: One Hundred Men and a Girl, Three Smart Girls, Mad About Music, It's a Date, It Started with Eve
Films with Franchot: Nice Girl?, His Butler's Sister, Because of Him
My personal favorite FT-DD film: His Butler's Sister

Gladys played Franchot's love interest in 3 films.

Gladys George (b. 1904 d. 1954)
An Oscar-nominated actress yet often overlooked today, Gladys George costarred with Franchot in 3 films between 1934 and 1938. Before pursuing a career in Hollywood, Gladys performed across the country with her parents' stage act.
Notable Films:Valiant is the Word for Carrie, Madame X, The Best Years of Our Lives, The Maltese Falcon, Marie Antoinette
Films with Franchot: They Gave Him a Gun, Love is a Headache, Straight is the Way
My personal favorite FT-GG film: They Gave Him a Gun

Loretta and Franchot made two films together.

Loretta Young (b. 1913 d. 2000)
20-year-old Loretta Young was already a film veteran when she costarred with Franchot in the 1933 film Midnight Mary. The two would costar again in 1936, were spotted out on the town in the late 1930s, and starred in several radio productions in the 1940s.
Notable Films: Laugh Clown Laugh, Midnight Mary, Taxi!, The Call of the Wild, The Farmer's Daughter, The Bishop's Wife
Films with Franchot: Midnight Mary, The Unguarded Hour
My personal favorite FT-LY film: Midnight Mary

Karen Morley was Franchot's leading lady twice in the 1930s.

Karen Morley (b. 1909 d. 2003)
Another classic film actress whose contributions are often neglected, Karen Morley acted with Franchot in two films in the early 30s and was married to director Charles Vidor. In the the late 1940s, she refused to answer questions for the House Un-American Activities Committee and was blacklisted.
Notable Films:Mata Hari, Scarface, Dinner at Eight, The Littlest Rebel, Arsene Lupin, Pride and Prejudice
Films with Franchot: Gabriel Over the White House, Straight is the Way
My personal favorite FT-KM film: Straight is the Way

Maureen O'Sullivan was a 2-time costar of Franchot's.

Maureen O'Sullivan (b. 1911 d. 1998)
Awarded the George Eastman Award for her film contributions, Maureen O'Sullivan was Jane to Johnny Weismuller's Tarzan, but made time to play Franchot's leading lady in 1933 and 1937. With writer-director John Farrow, Maureen had seven children, including actress Mia Farrow.
Notable Films: Tarzan the Ape Man, The Thin Man, Anna Karenina, A Day at the Races, Maisie Was a Lady, Pride and Prejudice
Films with Franchot: Stage Mother, Between Two Women
My personal favorite FT-MO film: Between Two Women

Joan Bennett played Franchot's other half in 2 early 1940s films.

Joan Bennett (b. 1910 d. 1990)
Best remembered as a mid-to-late 1940s femme fatale, Joan Bennett performed on stage before seeking work in films. Sister of Constance Bennett, Joan appeared as a blonde in her 1930s films, before switching to the dark hair and sultry look that became her trademark in film noirs.
Notable Films: Bulldog Drummond, Little Women, The House Across the Bay, The Man I Married, Man Hunt, The Woman in the Window, Father of the Bride
Films with Franchot: The Wife Takes a Flyer, She Knew All the Answers
My personal favorite FT-JB film: Unfortunately, I've not seen either of their films! I'll update this after I have watched them.

Jean Wallace married and costarred with Franchot in the 1940s.

Jean Wallace (b. 1923 d. 1990)
Married to him for the majority of the 1940s, Jean Wallace starred in two films with Franchot, but found greater success in her films with third husband Cornel Wilde. Before she entered films, Jean worked as an Earl Carroll showgirl. Jean and Franchot had two sons during their union.
Notable Films: Jigsaw, The Man on the Eiffel Tower, The Good Humor Man, The Big Combo, Lancelot and Guinevere
Films with Franchot: Jigsaw, The Man on the Eiffel Tower
My personal favorite FT-JW film: Jigsaw

Actresses who were one-film costars of Franchot include:
Miriam Hopkins | Constance Bennett | Madeleine Carroll
Margaret Lindsay | Bette Davis | Madge Evans |Grace Moore
Katharine Hepburn | Virginia Bruce | Myrna Loy |Margaret Sullavan
Franciska Gaal | Janet Gaynor | Ann Sothern | Carol Bruce
Peggy Moran | Anne Baxter | Marsha Hunt | Mary Martin
Ella Raines | Veronica Lake | Merle Oberon | Susanna Foster
Ann Richards | Shirley Temple | Lucille Ball | Janet Blair
Betsy Drake | Laraine Day | Jane Wyman | Dolores Dorn
Una Merkel (Una costarred in two films, but only one as a leading lady.)

Stage Mother (1933)

The focus of the 1933 film Stage Mother is exactly what the title suggests: a former performer pushes her only daughter into show business and controls every aspect of her daughter's life. Think of it as an early non-musical Gypsy. Alice Brady and Maureen O'Sullivan star as the mother Kitty and daughter Shirley, respectively, while Franchot Tone is Shirley's love interest, Warren Foster.

Franchot does not enter the film until a good 45 minutes have passed (Only I would post 20-something screen captures of a 15-20 minute performance). His role is small, but pivotal. Before his entrance, we see vaudeville performer Kitty lose her husband, a fellow entertainer, in a tragic accident. Their daughter Shirley is sent to live with Kitty's in-laws, who disapprove of the entertainment industry and Kitty personally. When Shirley is 14, Kitty returns to raise her and quickly trains her to enter the biz.

It is quickly apparent that Kitty is a ruthless stage mother who will stop at nothing to make her daughter famous. Maureen O'Sullivan is sweet and obliging as the put-upon daughter while Alice Brady (as Kitty) schemes and blackmails to get Shirley to the top.

When a new production takes her to Boston, Shirley is eager to revisit her childhood home. Enter Franchot. Warren Foster, an artist, answers the door and gives her a tour of the house he now owns. There is an immediate rapport between the two and without her mother's knowledge, Shirley begins to see Warren often. Because this is pre-code, Shirley is even shown spending the night with Warren.

Now recovered from an illness that kept her bedridden while Shirley experienced a bit of freedom, Kitty is backstage and reading Shirley's mail from Warren when she hatches a plan to regain control of her daughter. Unbeknownst to Shirley, Kitty blackmails Warren's family for ten thousand dollars with the threat of exposing the two lovers' clandestine meetings. Warren assumes that Shirley seduced him with the extortion plot in mind and confronts her in a stage dressing room. Franchot is as powerful as the angry, manipulated young man in latter scenes as he was the carefree, patient lover earlier in the film. Maureen O'Sullivan (Franchot's costar in Between Two Women) is perfectly cast as the lovely, trapped Shirley in this oft-told tale of a mother living vicariously through her daughter.

Watch Stage Mother to see if Kitty maintains control of her daughter or if Shirley finally fights back for a life of her own.